Mash up of Soul Train vid and Daft Punk’s “Get Lucky”
(I wish I was black.)
daft train (par Gabriel Zev Kenny)
From the Daft Punk album Discovery. This is not the Kanye version, nor is it a loose interpretation. I spent a bunch of time going through the original track and writing down every note that’s there — I hope you enjoy it!
Harder Better Faster Stronger - Note for note, on piano (par SinclairEoin)
Guitare Stratocaster El Maya / Fender début 1980s (micros El Maya).
Boss ME-50 avec Reverb, Phaser (30, 30, 65) et Slow Echo (50, 40, 95)
Digitech JamMan Looper
Guitare JTR Linda 10 de Samick, ici excellemment bien jouée par un guitariste coréen qui arrive bien à faire ressortir les nuances de l’unique micro humbucker.
This band from Turin made their first album Frontiera in 1972 for the small Help label, a good album that can be easily described as an hard prog LP. With a line-up of two guitars, bass and drums, and the original high-pitched voice of singer Gianfranco Gaza, the band plays a very good hard rock with some progressive influences and acoustic passages. Not particularly original, the album has its moments and it’s particularly rare.Despite a good live activity Procession never gained the success they deserved and despite two good albums they broke up in 1975. (via ItalianProg.com)
Procession - Un Mondo Di Libertà (1972) (par ndg42)
Bonham’s later playing is on display in this isolated drum track (above) from “Fool in the Rain,” a single from the 1979 album In Through the Out Door, the last album released by Zeppelin before Bonham’s death in 1980. The recording above includes about one-third of the entire drum track, ending just before the samba-style breakdown in the middle. Bonham is playing a variant of the half-time Purdie Shuffle, a pattern developed by the legendary session drummer Bernard Purdie, who began playing it when he was a youngster trying to imitate the dynamics of a train. “The way a locomotive kind of pushes and pulls,” Purdie said in a 2011 MusicRadar interview, “that’s what I was feeling.” (via OpenCulture)
John Bonham Isolated Drum Track- Fool In The Rain (par videocircus)
When I was a toy, I was praying with a gun.
Vers 2:00, la Fender de Kurt Cobain ne répond plus, pile poil au moment du pont éthéré et planant du morceau Drain You. Il jette rageusement l’instrument au sol. Heureusement, Pat Smear est là avec sa Gretsch Corvette (ou plutôt une Hägstrom ?) pourra assurer toute la fin du morceau pendant que Kurt attrape le micro de ses deux mains désormais vides. De l’utilité d’avoir deux guitaristes dans une formation.
A noter que même sans la guitare bruitiste et ”out-of-this-world”, le pont de Drain You reste tout à fait potable !
Nirvana - Drain You [HD] (Live on French TV 1994) (par wachifaifa)
Et pour aller plus loin, les commentaires de Butch Vig sur le mixage de le version studio de Drain You (pas moins de 5 guitares en simultané pour produire “presque un son orchestral de guitares”).
(Source : youtube.com)
Strongly interconnected with fellow Marburg band Pell Mell, though the musical connection is not always so obvious, Frame exhibited a style that had very little in common with them really, being much more influenced by the late-60’s heavy psychedelia and blues rock by the likes of Deep Purple or Vanilla Fudge. Only some of the rhythmic structures hinted at the Pell Mell connection. Mixing in folky styles and progressive touches into their heavy rock style, their sole album “Frame of Mind” bore the unmistakable stamp of Dieter Dierks at the mixing desk, with great use of dynamics and stereo dimension. Really varied, steering away from the mainstream of early-70’s rock, with many classic moves and excellent vocals, all giving it that something special, it’s an album that’s still amazingly fresh even today. Andy Kirnberger was a featured guest on early Pell Mell albums, after Frame’s demise he went on to the vastly inferior Hardcake Special whilst Cherry Hochdorfer and Wolfgang Klaus moved to Pell Mell. (via Orexis of Death)
FRAME - All I Really Want Explain (par PsyrockGA11)
"Evidence for the rise in narcissism continues to come up in research and news. A study by psychologist Dr. Nathan DeWall and his team found “a statistically significant trend toward narcissism and hostility in popular music” since the 1980s. Shawn Bergman, an assistant professor of organizational psychology at Appalachian State University in Boone, North Carolina notes that “narcissism levels among millennials are higher than previous generations.” Researchers at Western Illinois University measured two socially disruptive aspects of narcissistic personalities — grandiose exhibitionism and entitlement/exploitativeness. Those who had high scores on grandiose exhibitionism tended to amass more friends on Facebook. Buffardi and Campbell found a high correlation between Narcissistic Personality Inventory (NPI) scores and Facebook activity. Researchers were able to identify those with high NPI scores by studying their Facebook pages."
— The Internet ‘Narcissism Epidemic’ - Bill Davidow - The Atlantic
"Une nouvelle étudie commandée par le Centre Commun de Recherche de la Commission Européenne, compilant les données comportementales de plus de 16 000 internautes européens, a permis de déterminer que le piratage n’affecte en aucun cas le marché légal et a même un effet positif sur les ventes de musique. En gros, la musique que les gens téléchargent illégalement n’aurait de toute manière pas été achetée par ces mêmes personnes. Mieux, toute cette activité illégale stimule les ventes en ligne puisque les chercheurs ont déterminé que lorsqu’il n’y a pas de sites qui proposent illégalement de la musique, les clicks sur les sites légaux diminuent de 2% environ."
What an awkward conversation…
